Top ten remastered/reissued albums of 2021

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It’s always interesting to see what music is chosen to be exhumed by the likes of small vinyl labels, eager to press and preserve any and everything, and large corporate monoliths, eager to milk whatever they can out of streaming numbers. I respect some of these decisions and loathe others – a 25th anniversary edition of the Spice Girls’ debut album is both fun and fair, but if you’re going to re-release the Kimagure ORANGE☆ROAD soundtracks, can you please remaster them first, and include CD and digital versions? Also, how do you even categorize something like the extras from the incredible Wonder Woman 1984 soundtrack? It’s included here as it deserves recognition and fits none of the other thirty categories I’ve dreamed up to avoid just such a nightmare scenario. In any case, where all of these succeeded was in getting me to spend time with music that I hadn’t heard in a while, and to remember why I loved it so much. It also reinforced an appreciation for how the past shapes and informs the endless parade of new, an important part of any deep listener’s musical education. Here are ten of my favorite re-releases from the year, in no particular order:

Hans Zimmer: Wonder Woman 1984 Sketches // Queen Najia: missunderstood…still

Kimagure ORANGEe☆ROAD Original Soundtracks [Vinyl] // Jessie Ware: What’s Your Pleasure? Platinum Pleasure Edition

The Midnight: Endless Summer (5 Year Anniversary) // Metallica: Metallica

Ayumi Hamasaki: Cyber TRANCE presents ayu trance // Spice Girls: Spice 25

Taylor Swift: Red (Taylor’s Version) // Craig Armstrong: Love Actually (Original Soundtrack)

Honorable Mentions

Danny Elfman: Sleepy Hollow (Music from the Motion Picture)
Kylie Minogue: Disco (Guest List Edition)
SPEED: SPEED MUSIC BOX -ALL THE MEMORIES-
Rammstein: Herzeleid XXV Anniversary Edition
SHINee: : Atlantis

Top ten most disappointing albums of 2021

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It’s best to get the bad news out of the way, so let’s power through some of the worst listening experiences you could have: not the truly awful, but the ones that missed the mark, that ones that just didn’t hit the way you wanted them to, the ones that made you re-consider, even if just for a few minutes, why you called yourself a fan in the first place, the ones that make you question the weeks or months you spent in anticipation, only to be crushed by the weight of mediocre. This list has them all: YG’s much-anticipated new boy band that we haven’t seen or heard from again in the eleven months since THE FIRST STEP : TREASURE EFFECT underwhelmed back in January, maestros dropping the ball when it seemed as if the source material already did half the work (Lady Gaga, Hans Zimmer), and artists whose significant collaborations should have warranted a lot more than their net result (Halsey). And let’s not forget “official” debuts that deserved so, so much more (CL, aespa). Though to be frank, there was nothing more disappointing this year than the ubiquitous, unrelenting, and uninspired appearance of the colon in the titles of K-pop albums. Here are the other ten, in no particular order:

TREASURE: THE FIRST STEP : TREASURE EFFECT // Lady Gaga: Dawn of Chromatica

Hans Zimmer: Dune (Original Soundtrack) // aespa: Savage

Kyary Pamyu Pamyu: CANDY RACER // Halsey: If I Can’t Have Love, I Want Power

Nicholas Britell: Cruella (Original Score) // Daniel Pemberton: Being the Ricardos (Original Soundtrack)

CL: Alpha // Red Velvet: Queendom

Top ten 2020-misses of 2021

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Each year, as the previous year’s albums that I’ve listened to for the first time pile up, I’m reminded of how little time any of us really have. All of the newsletters, E-mail blasts, magazines, music writers, YouTubers, TikTokers, and personal recommendations continue to sit impatiently as the never-ending newer releases take precedent. As those at the bottom get pushed farther down, it becomes harder and harder to justify digging down, nor does the mess accruing at the surface always allow for it. But sometimes, those trips back are rewarded, rendering what I thought were iron-clad lists totally moot. As always, I welcome the reminder that best-of lists, even personal ones like these, are only relative to the music we were exposed to and able to hear. In no particular order, here are ten of the best albums released in 2020 that I didn’t discover until 2021, and in some other better, alternate universe, might have made last year’s lists.

Sachika Misawa: I AM ME // Benjamin Grosvenor: Chopin Piano Concertos

NINA: Synthian // Marc Timon Barcelo: San Mao: The Desert Bride (Original Soundtrack)

Neon Nox: Last Stand // Robert Parker: Club 707

IVVY: Awake // Marvel83′: Metropolis

misses5b

Natsu Amano: Across The Great Divide // Ryusenkei/Hitomitoi: Talio