An every Friday in a while look at the weekly Oricon Top Twenty Singles Chart.
Summer has always been the de facto best music release season; there’s just something about warm weather that motivates the song writers of so many idol groups. Indeed, in Japan it brings nothing less than shame to an artist who dare not release a ballad or something of sentimental value during the winter, and so it is The Summer Single that I anticipate to effectively wash away the grime of winter coats and snow boots that still cling like crusted salt to less than warm springs.
But though I admittedly enjoy the riff after the chorus, B’z’s “Ichibu to Zenbu”/”DIVE” (#1) is pretty unfulfilling. I’m tempted to play the irrelevance card, or even the age card, but the fact is that you really aren’t ever too old to rock, there just comes a point when you stop doing it as well. Let’s put it this way: if I went to see B’z play live, I would politely tolerate “DIVE” so I could hear “Easy Come, Easy Go” and “BAD COMMUNICATION.” And so it goes.
This is the second week EXILE’s “THE HURRICANE ~FIREWORKS~” (#6) is on the charts, and listening to it again only solidifies my opinion that this song had a lot of potential before something went horribly awry. The whole traditional Japanese instruments against a contemporary beat is a bit overdone in the frenzied, happi-wearing, Japanese masturi summer, but it’s a conceit I don’t hate as long as it’s done well (a personal favorite is 10nin Matsuri’s “Dancing! Natsu Matsuri!” – and by the way, I just watched that PV for the first time ever today and I feel really embarrased for them). I don’t necessarily hate EXILE, but it’s worth noting that they have released thirty-one singles and I have liked zero of them.
Speaking of zero, that’s how much potential GIRL NEXT DOOR has. There’s a sort of euro-dance vibe to “Be your wings” (#4) but the song is fatally flat. This group is relatively new, but as cool the PV was, I’m not holding out for anything spectacular.
I do like Alice Nine’s “Hana” (#8), though there is something desperately abingdon boys school about it. I haven’t listened to much Alice Nine since a few years ago and it’s kind of like, where did the VK go? I mean, the song is so tame, it’s almost housetrained. While suits don’t make guitar solos sound better, they do make you look classy in ways leather shorts and checkered uber-belts can’t, especially if you’re singing in front of a really large staircase on some old-timey estate. Even so, it’s like Sherlock Holmes without a pipe, or Joseph Chamberlain without a monocle; something’s just missing, you know?
On that note, my favorite single on the chart this week is STRAIGHTENER’s “CLONE” (#15). I’m not going to pretend that I’ve ever heard anything by this band before, because I haven’t, but this song is more than adequate. There’s something about the way the insistent drums belie the overall melancholy state that made me do a double-take. The guitars are a bit much, but it’s still the greatest song ASIAN KUNG-FU GENERATION couldn’t pull it together to write in the past three years. It may not have been the summer jam I was expecting, but at least it doesn’t rely on past glories or a gimmick.